ՆկարագրումThe eight musical modes.png	The eight musical modes.
Թվական	Unknown date Unknown date
Աղբյուր	Created by bdesham with GNU LilyPond and post-processed with GraphicConverter. The original version of this image was made by en:User:Hyacinth. The fs in the image are those designated by Curtis as "final". The sources listed at that image page are: Judd, Cristle Collins (ed.) (1998). Tonal Structures of Early Music. New York: Garland Publishing. ISBN 0815323883 Liane Curtis. "Mode".
Հեղինակ	Benjamin D. Esham (bdesham)
Իրավունքներ (Նիշքի վերաօգտագործումը)	As a courtesy (but not a requirement), please e-mail me or leave a note on my talk page if you use this image outside of Wikipedia. Thanks! Benjamin D. Esham, սույն աշխատանքի հեղինակային իրավունքների տերը, այսուհետ այն հրատարակում է հետևյալ արտոնագրի պայմաններով՝ Public domainPublic domainfalsefalse I, the copyright holder of this work, release this work into the public domain. This applies worldwide. In some countries this may not be legally possible; if so: I grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

LilyPond source

The musical notation in this image was rendered by LilyPond, a free-software engraving program. Here is a listing of the LilyPond source used to create this file.

\version "2.16.0"

tune = \relative c' {
  \clef treble
  \key c \major
  \time 8/1

  % prevent bar number display on the second line
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 100)

  d1^\markup{\large{\bold{1. Dorian}}}_\markup{\large{\bold{f}}} e f g a b_\markup{\large{*}} c d
  e,^\markup{\large{\bold{3. Phrygian}}}_\markup{\large{\bold{f}}} f g a b c d e
  f,^\markup{\large{\bold{5. Lydian}}}_\markup{\large{\bold{f}}} g a b_\markup{\large{*}} c d e f
  g,^\markup{\large{\bold{7. Mixolydian}}}_\markup{\large{\bold{f}}} a b c d e f g
  \break
  a,,^\markup{\large{\bold{2. Hypodorian}}} b_\markup{\large{*}} c d_\markup{\large{\bold{f}}} e f g a
  b,^\markup{\large{\bold{4. Hypophrygian}}} c d e_\markup{\large{\bold{f}}} f g a b
  c,^\markup{\large{\bold{6. Hypolydian}}} d e f_\markup{\large{\bold{f}}} g a b_\markup{\large{*}} c
  d,^\markup{\large{\bold{8. Hypomixolydian}}} e f g_\markup{\large{\bold{f}}} a b c d
}

#(set-default-paper-size "letter" 'landscape)
#(set-global-staff-size 22)

\score {
  \new Staff \with { \remove Time_signature_engraver} { \tune }
  \layout { 
    \context {
      \Score
      \override SpacingSpanner
        #'common-shortest-duration = #(ly:make-moment 1 2)
    }
  }
}
\markup{\large{* Under certain conditions, the B is flattened in modes 1, 2, 5, and 6.}}

\paper { indent = 0\mm }