Մասնակից:Son Mkrtchyan/Ավազարկղ

«Son Mkrtchyan/Ավազարկղ»
ի երգը

«The Times They Are a-Changin» Բոբ Դիլանի կողմից գրված երգ է և թողարկվել է որպես նրա 1964 թվականի համանուն ալբոմի վերնագիր։ Դիլանը երգը գրել է որպես ժամանակի համար փոփոխությունների օրհներգ ստեղծելու միտումնավոր փորձ՝ իռլանդական և շոտլանդական բալլադների ազդեցության տակ։ 1965 թվականին Բրիտանիայում թողարկվել է որպես 45 պտույտ/րոպե սինգլ, այն զբաղեցրել է 9-րդ տեղը UK Singles Chart-ում։ Երգը որպես սինգլ չի թողարկվել ԱՄՆ-ում։ 2019 թվականին Ֆոնոգրամաների արտադրողների բրիտանական միության կողմից այն ստացել է արծաթե վկայական։

Իր թողարկումից ի վեր երգը ազդեցիկ է եղել հասարակության վերաբերյալ մարդկանց տեսակետների վրա, ընդ որում քննադատները նշում են, որ համընդհանուր բառերը նպաստում են երգի փոփոխության տեւական ուղերձին: Ըստ Դիլանի պաշտոնական կայքի՝ 1963-ից 2009 թվականներին նա երգը կատարել է 633 անգամ, ինչը 2023 թվականի հունիսի դրությամբ ստացվում է նրա 23-րդ ամենաշատ կատարվող երգը։ Երգը հնչել է բազմաթիվ արտիստների կողմից, ներառյալ Նինա Սիմոնը, Ժոզեֆին Բեյքերը, Բիրդները, Սիքերները, Պետրոս, Պողոս և Մարիամը, Թրեյսի Չեփմենը, Սայմոն և Գարֆունկել, Բլեքմորի գիշերը, Ռանրինգտը, The Beach Boysը, Ջոան Բաեզ, Ֆիլ Քոլինզը, Բիլլի Ջոելը, Բրյուս Սփրինգսթինը, Ես առաջինը և Gimme Gimmes-ը, Բրենդի Կարլիլը և Բերլ Այվզը։ Երգը զբաղեցրել է 59-րդ տեղը Rolling Stone-ի 2004 թվականի «Բոլոր ժամանակների 500 մեծագույն երգերի» ցուցակում։

Ոգեշնչում և շարադրում

Dylan appears to have written the song in September and October 1963. He recorded it as a Witmark publishing demo at that time, a version that was later released on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991. The song was then recorded at the Columbia studios in New York on October 23 and 24; the latter session yielded the version that became the title song of Dylan's third album. The a- in the song title is an archaic intensifying prefix, as in the British songs "A-Hunting We Will Go" and "Here We Come a-Wassailing", from the 18th and 19th century.

Dylan recalled writing the song as a deliberate attempt to create an anthem of change for the moment. In 1985, he told Cameron Crowe, "This was definitely a song with a purpose. It was influenced of course by the Irish and Scottish ballads ...'Come All Ye Bold Highway Men', 'Come All Ye Tender Hearted Maidens'. I wanted to write a big song, with short concise verses that piled up on each other in a hypnotic way. The civil rights movement and the folk music movement were pretty close for a while and allied together at that time."

Dylan biographer Clinton Heylin describes how musician Tony Glover stopped by Dylan's apartment in September 1963, picked up a page of the song Dylan was working on, and read a line from it: "Come senators, congressmen, please heed the call." "Turning to Dylan, Glover said, 'What is this shit, man?' Dylan shrugged his shoulders and replied, 'Well, you know, it seems to be what the people want to hear.Կաղապար:'"

Critic Michael Gray called it "the archetypal protest song." Gray commented, "Dylan's aim was to ride upon the unvoiced sentiment of a mass public—to give that inchoate sentiment an anthem and give its clamour an outlet. He succeeded, but the language of the song is nevertheless imprecisely and very generally directed." Gray suggested that the song has been made obsolete by the very changes that it predicted and hence was politically out of date almost as soon as it was written.

Literary critic Christopher Ricks suggested that "the song transcends the political preoccupations of the time in which it was written". Ricks argued in 2003 that Dylan was still performing the song, and when he sang "Your sons and your daughters / Are beyond your command", he "sang inescapably with the accents not of a son, no longer perhaps primarily a parent, but with the attitude of a grandfather." Ricks concluded, "Once upon a time it may have been a matter of urging square people to accept the fact that their children were, you know, hippies. But the capacious urging could then come to mean that ex-hippie parents had better accept that their children look like becoming yuppies. And then Republicans..."

Critic Andy Gill points out that the song's lyrics echo lines from the Book of Ecclesiastes, which Pete Seeger adapted to create his anthem "Turn, Turn, Turn!". The climactic line about the first later being last, likewise, is a direct scriptural reference to Mark 10:31: "But many that are first shall be last, and the last first."

Less than a month after Dylan recorded the song, President Kennedy was assassinated in Dallas, Texas, on November 22, 1963. The next night, Dylan opened a concert with "The Times They Are a-ChanginԿաղապար:'"; he told biographer Anthony Scaduto, "I thought, 'Wow, how can I open with that song? I'll get rocks thrown at me.' But I had to sing it, my whole concert takes off from there. I know I had no understanding of anything. Something had just gone haywire in the country and they were applauding the song. And I couldn't understand why they were clapping, or why I wrote the song. I couldn't understand anything. For me, it was just insane."

Բիրդսի տարբերակը

«Son Mkrtchyan/Ավազարկղ»
ի երգը

"The Times They Are a-ChanginԿաղապար:'" was one of two Dylan covers that the Byrds included on their second album, Turn! Turn! Turn!, "Lay Down Your Weary Tune" being the other. Like other Dylan compositions that the band had covered, such as "Mr. Tambourine Man" and "All I Really Want to Do", the song was intended to be the A-side of a single. It was sung by bandleader Jim McGuinn and prominently features his signature twelve-string Rickenbacker guitar. The song was often played at concerts surrounding its release.

I remember the Beatles were in the studio for one of them (version of 'The Times They Are a-Changin'). That kinda put a lot of pressure on us.

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— Roger McGuinn

The recording sessions have been noted for the surprise appearances made by George Harrison and Paul McCartney in the control booth, which according to Byrd members prevented them from completing the session and the track effectively. Columbia Records originally pressed thousands of cover sleeves for the intended single, but the Byrds' manager, Jim Dickson, asked for the release to be dropped because of the group's dissatisfaction, most vocally expressed by David Crosby; Dickson originally thought the song would have made a strong single. In a 2004 interview, Chris Hillman stated his dislike for the song, suggesting that "we shouldn't have bothered with that song". Another version of the song, recorded in June, is a bonus track on the 1996 reissue. "Turn! Turn! Turn!" ended up becoming the band's third single, reaching number 1 on the U.S. Billboard Hot 100 chart and number 26 on the UK Singles Chart.

The Byrds performed the song on the U.S. television program Hullabaloo, but it failed to make a long-term impact. CBS England issued "The Times They Are a-ChanginԿաղապար:'" as the lead track of an EP, along with "Set You Free This Time", written by Gene Clark, which was moderately successful. In addition to its appearance on the Byrds' second album, "The Times They Are a-ChanginԿաղապար:'" is included on several Byrds compilations, including The Byrds' Greatest Hits Volume II, The Very Best of The Byrds, The Byrds, The Essential Byrds, There Is a Season, and The Byrds Play Dylan.

Հետագա պատմություն

In January 1984, a young Steve Jobs recited the second verse of "The Times They Are a-ChanginԿաղապար:'" in his opening of the 1984 Apple shareholders meeting, where he famously unveiled the Macintosh computer for the first time.

The "Dylan Covers Database" listed 436 recordings, including bootlegs, of this song as of October 19, 2009. According to the same database, the song has been recorded in at least 14 other languages, such as Catalán, Czech, Dutch, Finnish, French, German, Hungarian, Italian, Japanese, Norwegian, Polish, Serbian, Spanish, and Swedish.

Hip hop group Public Enemy reference it in their 2007 Dylan tribute song "Long and Whining Road": "It's been a long and whining road, even though time keeps a-changin' / I'm a bring it all back home".

In 2009, the filmmaker Michael Moore sang the third verse of the song live on The Jay Leno Show after being told that he had to "earn" a clip from his film Capitalism: A Love Story to be shown.

On December 10, 2010, Dylan's hand-written lyrics of the song were sold at auction at Sotheby's, in New York, for $422,500. They were purchased by a hedge fund manager.

The song is included in "The 500 Songs That Shaped Rock and Roll", a permanent exhibit at the Rock and Roll Hall of Fame.

Billy Bragg covered the song but altered the lyrics to make it a protest song dealing with the issues of 2017. Bragg sang lyrics such as "Accept it that soon you'll be drenched to the bone/For the climate is obviously changing," and "But the man in the White House says no one's to blame/For the times, they are a-changing back."

A cover of the song by singer Susan Calloway was used in a commercial for the 2022 Stanley Cup Finals. The commercial featured an edited sequence of handoffs of the Stanley Cup between notable former Cup winning players with Calloway's version accompanying.

Հղումներ

• Bjorner, Olof (2002). Olof's Files: A Bob Dylan Performance Guide (Bob Dylan all alone on a shelf). Hardinge Simpole. ISBN 1-84382-024-2.
• Gill, Andy (1999). Classic Bob Dylan: My Back Pages. Carlton. ISBN 1-85868-599-0.
• Gray, Michael (2006). The Bob Dylan Encyclopedia. Continuum International. ISBN 0-8264-6933-7.
• Heylin, Clinton (2003). Bob Dylan: Behind the Shades Revisited. Perennial Currents. ISBN 0-06-052569-X.
• Ricks, Christopher (2003). Dylan's Visions of Sin. Penguin/Viking. ISBN 0-670-80133-X.
• Scaduto, Anthony (2001). Bob Dylan. Helter Skelter, reprint of 1972 edition. ISBN 1-900924-23-4.

Արտաքին հղումներ

• Lyrics at Bob Dylan's official website